Green Screen Studio Magic Development
Posted by BAW on 29th Jan, 2010 in Movies and TV | 0 comments
Green screen studio technology for visible effects grew up with the film industry technology each advancement in film technology benefited and improve green screen studio technology. In developing this type of technology ( frequently known as Chroma Key Technology ) the color first used was blue like green, blue is the less similar to human skin tones. Over time green has proved to be better than blue when it comes to outdoor filming. Today with computerization of chroma key technology, it is possible to use more colours instead of green and blue. At first Green screen studio was basically used for weather reports as chroma key technology sophisticated it became well liked by film producers and photographers.
Green screen studio technology has several pioneers in developing and improving this technology. Before computer compositing, the process was complicated and lengthy, and was known as traveling matte. The traveling matte and green chroma key technique were developed at RKO Radio photos and other flats in the 1930′s. At RKO studio Linwood Dun use the traveling matte process to make “wipes” ; which, makes transitions like a window wiper in films and was first used in the 1933 picture Flying Down to Rio. Larry servant is given credit for the development of Chroma Key special effects first used for the flick The thief of Bagdad which claimed him an Academy Award for CGI effects. Larry servant invented the green screen and traveling matte technique to develop visual effects that were rare in 1940. Butler was the first computer effects designer to develop special effects using the specialised screen for Technicolor still in the infancy stage at the time. In 1950, Warner brothers hire an ex-Kodak researcher name Arthur Widmer who started developing an ultra violet traveling matte process and improving new Chroma Key techniques. The first film produce to use the state-of-the-art technology was The Old Man and the Sea in 1958.
Advancement in technology continues to improve the green screen studio special effects. In the 1980′s with the arrival of computers the method of merging 2 different pictures together using an optical printer a lot simpler, during the filming of The Empire Strikes Back, Richard Edlund develop the quad optical printer. Making compositing easy, faster, and cost saving that claimed Richard Edlund a special Academy Award for his invention.
As green screen studio enhancements occur many lofts make heavy use of it’s studio technology to add backgrounds like computer-generated imagery ( CGI ). Compositing has gotten simpler allowing for pictures from different performances from different takes, and motion to be merged into one scene. Green screen studio makes it possible for filming location shots without leaving the studio which saves the serious costs of location filming. Further developments of PC software and computational has eliminated the necessity to use grids or tracking marks.
In closing advances and improvements in technology to green screen studio occurs makes the employment of it’s technology easier and better for creating special visual effects. Today anyone can use a chroma key studio at home for adding visual effects to their own photos. What makes this sort of studio possible is a purchase of a chroma key studio setup with PC software less than $200. This makes it easier for professional photographers to create their own backgrounds or visible effects without the high costs of filming on location.